Kodigaha Yata teledrama
Kodigaha Yata Teledrama

Jagath Manuwarna’s debut teledrama direction Kodi Gaha Yata concluded last Sunday (19). The drama was a powerful production, telecast on a local TV channel but also drawing a significant audience on YouTube and social media. Its content was daring, addressing both mature and young adult audiences simultaneously. It sparked extensive discussions in society, touching upon contemporary social, political, sexual, and psychological issues. The humane approach of the creators allowed audiences to engage without judgement, empathising with the characters’ experiences.
Kalu, Shani, and the issues of the LGBTQI+ community
Nalin Lusena’s portrayal of Kalu was particularly impressive, adding vibrancy to the drama. The drama deviated from the typical representation of LGBTQIA+ individuals in local productions, where they are often limited to comedic roles that ridicule their sexuality. Kalu represented a pivotal figure in the LGBTQIA+ community as a non-binary person, addressing the challenges faced throughout their life journey.
Misunderstood by their mother, unable to connect with siblings, and facing rejection in childhood friendships, Kalu’s character shed light on the struggles encountered by many non-binary individuals in Sri Lanka. A poignant moment occurred during a visit to their mother, afflicted with dementia, where Kalu expressed the pain of being misunderstood by one's own parent – a significant struggle in a society where awareness of gender identities remains limited, and non-binary identities are not widely accepted.
Under Manuwarna’s direction, Kalu’s character attempted to challenge this perception. In an episode where Kalu’s co-worker, Shani – a transgender individual – faced harassment from a man seeking sexual favours, Kalu intervened. A powerful dialogue ensued, striking a chord with the audience. When the offender insulted Kalu using a typical Sinhala slur aimed at non-binary individuals, Kalu confidently affirmed. “Yes, I am such.” Then, they posed a moving question, “But do you call yourselves men? Try to embody humanity before claiming manhood.” This dialogue highlights several critical aspects – the need for respect towards the LGBTQIA+ community as deserving of equal dignity, highlighting societal constructs that unjustly look down upon non-binary individuals without valid grounds, and the broader confusion within society about what defines genuine human qualities.
The portrayal of Shani by transgender actress Reena de Silva ignited conversations about transgender experiences. Her exceptional acting, especially in non-verbal communication, resonated deeply within the drama. Manuwarna deserves acknowledgement for fostering a non-judgmental dialogue on the sensitive aspects of the LGBTQIA+ community.
Transgender actress Reena de Silva sparked widespread discussions through her portrayal of Shani in the drama, making her journey as a transgender individual more accessible to the general audience. Her performance not only captivated audiences but also allowed them to explore the genuine experiences of a transgender person. This exposure extended beyond the drama, resonating across mainstream and social media platforms that explored her personal journey. De Silva’s commendable acting skills, particularly in her use of non-verbal communication throughout the series, added depth to her character.
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